
Saturday
Osteria del Treno in Milano

Thursday
Parmigiano gets in bed with the Antichrist
Monday
Grom gelato

On Via Ventidue Luglio, in the middle of the historic center of
Similar to some delicatessens, Grom announces its flavors on a sandwich board and easel placed on the sidewalk and inside near the cash register. At first glance, Grom has the same flavors as any gelateria, from stracciatella to caffe, to limone and gianduja. Their spin however, is that every flavor contains all natural ingredients, no food colorings, syrups, and all ingredients purchased directly from the producer, not through a broker or some warehouse. Grom only sells gelato with seasonal ingredients and the conceit of this gelateria is that it gives a pedigree to the ingredients, much like fine dining restaurants around the world do. And wouldn’t you know it, the little Slow Food snail is trotted out by Grom to signify that an ingredient from a Slow Food presidio is being used, such as the Café de Huehuetenango. Not only the name of the presidio is used, but Grom thinks it is important for its clientele to know that the exact coffee bean used from this Guatemalan presidio is the wood-toasted Cru San Pedro. For the Slow Food obsessive, that kind of tidbit is manna but for the average cone licker, it means zip. The young scooper whom I interviewed told me that Grom is taking the quest for the freshest ingredients to another level: the company goal is to have a producer grow or produce ingredients especially for Grom. The bottom line for all this freshness is that the average cup or cone at Grom is at least fifty cents higher than at other gelaterias around town.
The inside of the store is quite spare, very clean but chic, and with a wide lateral space for the clientele to order and then consume gelato. Those who like to linger can enjoy matching yellow pastel table tops (three in all) and chairs that are shaped like spoons. The counter has the usual array of cup sizes and a bin for plastic spoons, with cones kept behind the counter. Grom serves the gelato out of bins that the customer can’t see into, which is ironic because gelaterias of lesser quality often stuff mountains of gelato behind a big glass counter. There is an old-fashioned butcher’s scale on the far left of the counter for those buying gelato by the kilo, often it’s not for personal but family consumption. Floors are dark hardwood that contrasts nicely with all the pastels. Grom maintains a sedate ambience whether empty or full, which stands in contrasts to many food places that equate loud music and harsh acoustics with building a buzz. The only sounds are the clanking of the scoopers, the hum of the cash register, and the happy chatter of customers excited to take possession of a frozen treat. The temperature inside the store is neutral to cool due to the machine and air conditioning. It’s never too warm or cold inside of Grom.
On average, the scooper shift is seven hours standing up and scurrying about, stirring the canisters of gelato to keep them from getting too hard and maintaining the trademark smooth texture. Before opening in the late morning, the scooper is actually a gelato creator and busily mixes ingredients, following a set recipe made day in and day out, and checks all the canisters to make sure they are full with fresh product. It is an intensely social job because once the ice cream is made and stored, it’s about interacting with the customers and following their prescription on the ideal marriage of gelato flavors. A waiter in a restaurant may reel off a list of specials or recommend a good bottle of red to pair with the order, but scoopers have zero input into customer decision making.
There are only two material functions in a Grom gelateria, making and storing gelato and granita and serving it to customers. One can ask what is the function of consuming a gelato? Is it about sustenance and energy for the work day or is it about pleasure? Gelato is a sweet and contains sugar and can provide a momentary but not a sustainable energy boost. It’s consumed for no reason in particular other than being delicious and sweet, and for a lot of people, children especially, sweet equals pleasure. It is reasonable to posit that giving pleasure is a core material function of a gelateria and serves a vital social function: that if 200 Grom customers a day are given pleasure, there are 200 more happier people in
Ventidue Luglio is not a touristy thoroughfare and the clientele tends to be from
What Grom stands for is a quality product made with the freshest ingredients, that gives pleasure to the gola but also to the body and mind. Because the flavors are delicious, the gola is happy; the body is pleased because the are are no additives or preservatives, or anything artificial; the mind is pleased because Grom is not industrial, it contributes to sustainability by buying from small producers of quality products, producers who respect the environment and their workers (so I would imagine the latter).
Gelato consumption means pleasure and gustatory memory. For a child the pleasure is palpable and immediate and the nostalgia is being created on the spot, and when a child who loves gelato passes his favorite gelateria, the child desires immediate satisfaction. The adult who enjoys gelato has more mature flavor receptors in that they are able, by the benefit of having lived some years, to have family or friend memories intertwined with each taste of gelato. Gelato is comfort and succor, and Grom is painted pastel in order to evoke a haze of nostalgia and memories of childhood visits with mom and dad and perhaps siblings to the neighborhood gelateria. Nostalgia triggered by gelato consumption equals familiarity and tradition, of families staying together and eating together.
Tuesday
Italy preview

The Terroir and Diversity of Lambrusco

Lambrusco, despite its au courant-ness with salumi hounds and food blogs looking for the newest new new thing, is not a fine wine in the same league as compatriots Barolo, Taurasi, Amarone, Sagrantino, et al. The old paradigm was lambrusco as a cheap picnic quaff made in large quantities and mass marketed, but with the efforts of importers such as NYC’s Lambrusco Imports and Oakland’s Oliver McCrum, and Bay Area restaurants Oliveto and Perbacco, artisan lambrusco’s reputation as the go-to cured meat and lusty pasta sauce pairing wine is being established.
It still takes some getting used to: a red wine that not only must be chilled, but also lightly sparkling or frizzante. Lambrusco is from Emilia Romagna, which not coincidentally produces some of the most prized cured meats in Italy, especially Prosciutto di Parma and its more upscale counterpart, Culatello di Zibello. The secret to lambrusco, and a good lot of Italian wine, is that it is first and foremost a food wine, meant to pair with the autochthonous products of the region where the wine is produced.
Lambrusco is found all over Emilia Romagna, from a kitchen table in a humble apartment, to the four table dining room of a 400 year old Michelin starred salumeria in Modena’s center, Hostaria Giusti. I taught English as a Foreign Language in Modena, lambrusco’s home base, back in 2002-2003, and one of my students would pay me in lambrusco, in lieu of cash. He wasn’t a rich man, but as Modena’s overseer of agricultural production at the Camera di Commercio or Chamber of Commerce, he was the connection to find a great lambrusco. Before the teaching gig, my only lambrusco experience was at a drunken college party in Florence ten years earlier. That vile bargain aisle tipple was sweet and syrupy, with an alarming corona of violet foam dancing on the edge of my plastic cup. That lambrusco was Italy’s answer to hobo juice like Mad Dog 20/20 or a non vintage Thunderbird.
For many years, Riunite’s marketing muscle ensured the low quality lambrusco spigot wouldn’t shut off easily, and artisan producers struggled to sell their product. Only the most savvy winos and intrepid chowhounds knew of lambrusco’s true bounty and variety. In fact, there are four main types of lambrusco: Sorbara, Grasparossa di Castelvetro, Salamino Santa Croce, and Reggiano.
A proper lambrusco tasting would start with the elegant, austere and crisp Sorbara, named after the growing area that is slightly to the northeast of Modena’s centre. It pairs wonderfully with cooked salumi such as Mortadella di Bologna and the typical deep fried with a splash of lard bread puffs of Modena/Reggio Emilia/Parma, known as gnocco fritto (or torta fritta in Parma). Often served along with gnocco fritto are the small baked bread discs known as tigelle, that have a texture similar to piadina, the signature flatbread of Romagna, which is the area stretching from Bologna to Fellini’s hometown of Rimini on the Adriatic. Another Modenese specialty that works beautifully with a Sorbara lambrusco is borlengo, a super thin flatbread similar to a papadam but rubbed with cured lard, rosemary, pancetta and parmigiano. Sorbara lambrusco is also enjoyable on its own without food, as an aperitivo. It tends to be closer to a spumante (more sparkling) than frizzante, and whets the appetite for an unctuous supper.
Lambrusco Grasparossa di Castelvetro is from the southwest of Modena, toward Maranello aka Ferrariland, and shares a similar flavor profile to another type of lambrusco, Salamino di Santa Croce. The latter is named after the grape bunches that resemble a whole salami and is grown on the opposite side of Modena, north of the town center going towards Carpi and Mantova. A lovely version of Grasparossa is made by a producer called Barbolini, and is more often than not the only lambrusco being sold in stores and restaurants in the Bay Area. The upside is that it is one of the finest examples of the Grasparossa typology, the downside is that Barbolini’s excellence and ubiquity (thanks to a successful importer) makes artisan lambrusco seem monolithic, which it is not.
With Grasparossa and Salamino, there is a lingering spiciness and smoke on the palate, and in particular with Grasparossa, a bracing acidity at the finish that cuts sharply through the richness of prosciutto and salumi. Salame di Felino is a beautiful match, slightly garlicky and named after the town of Felino near Parma, not your whiskered companion. Though pricey, seek out Culatello di Zibello, which is similar to prosciutto but cured in wine, spice mixture and sea salt and aged in the temperature extremes of the Parma lowlands. Culatello, meaning “little ass”, is made from the hind quarter of the the free ranging Mora Romagnola breed, not the non-native “large white” pigs used for Prosciutto di Parma. Mario Batali’s dad Armandino makes a domestic culatello at his store in Seattle, but there is no substitute for bringing contraband from the low country near Parma (don’t tell anyone about my secret plan for my trip to Parma next month). A more adventurous pairing outside the bounds of terroir would be Speck from Alto Adige, a smoked prosciutto that harmonizes with the spice and smoke of Castelvetro and Salamino.
Last, to finish with a touch of sweet fruit and spices, and less acidic, is old school nasty Lambrusco’s grown up version, Lambrusco Reggiano, named after Reggio Emilia. Where old and nasty punches you in the jaw with sugary berries and too much purple froth, Reggiano is liltingly sweet and finishes with a slight tang in contrast to Grasparossa’s striking acidity. It is a flavor match for Prosciutto San Daniele’s salty/sweet split personality, which shows that lambrusco can stray beyond its farmstead origins in Emilia Romagna and reward a curious and adventurous palate.
Lambrusco links:
Lambrusco Grasparossa di Castelvetro “Barbolini”
Oliver McCrum Wines, omwines.com
Paul Marcus Wines, paulmarcuswines.com
Biondivino Wine Boutique, biondivino.com
Most Whole Foods sell it, as does Berkeley Bowl Marketplace
Terre Verdiane by Cantine Ceci is another nice example of the Grasparossa di Castelvetro typology, and uses Verdi’s mug affixed to a sleek beveled bottle.
“Ermete Medici” is a top producer of Lambrusco Reggiano, and is imported by JK Imports in CA and Omniwines in NY. Their "Concerto" single vineyard lambrusco was one of the first artisan lambruschi imported to the U.S.
By far the best selection in the country is from Lambrusco Imports in NYC and its sister restaurant, Via Emilia, on 21st near Park Ave. South in the Flatiron District. William Mattiello and his wife Tomoe import the wine and run a wonderful restaurant focusing not just on the cuisine of Emilia Romagna, but of Modena in particular. The wine is exclusively from Emilia Romagna, and there are about ten different producers of lambrusco on the list, representing the four main typologies.
Viaemilianyc.net
Last but not least, your culatello connection. Indulge in the olfactory bliss of the aging cellar at Antica Corte Pallavicina in Polesine Parmense near Parma and dine at the restaurant, Al Cavallino Bianco, with both the culatello making and restaurant being owned and operated by Massimo Spigaroli. He is the great grandson of a sharecropper who worked on Giuseppe Verdi’s farm, now the site of Antica Corte Pallavicina.
Acpallavicina.com
Cin Cin, buona bevuta e buon appetito!
The Real OG: an Olive Garden opens in Sioux City, Iowa

Dear Mr. Quinlan
As I read in horror about the opening of the Olive Garden in Sioux City, it should be noted that the signature Olive Garden dishes mentioned in the article have zero to do with Tuscany. For example, Fettucine Alfredo was created in Rome (a version of it can be found and is called Fettucine burro parmigiano ), Shrimp Primavera did not originate in Italy: Primavera was created at Le Cirque restaurant in New York City, during the 1970s, albeit by the Tuscan-born restauranteur Sirio Maccioni. Spaghetti and meatballs is an Italian American creation, perhaps inspired by polpettone, a meatball dish served in Southern Italy without pasta. Same with Chicken Parmigiana, an Italian American dish. Lobster spaghetti is a specialty of the Amalfi Coast south of Naples in the Campania region, not Tuscany. The pork filettino with the rosemary and potatoes in EVOO is the closest thing to Tuscany that is served. Rosemary grows all over Tuscany and Tuscany is famous for its EVOO.
OG is clever because they use Tuscany as a marketing motif because most Americans consider it the quintessential Italian region, yet serve Southern Italian/Italian American inspired fare that has been stereotyped as the representative of Italian cuisine. If OG really were to serve Tuscan cuisine, it would be too rustic and simple for most people's palates. But that's why OG is successful...they've got a formula.
Sincerely,
Adrian Reynolds
Thursday
ORSON has landed

Once you get past the splashy art and modish surroundings, chef de cuisine Ryan Farr’s plates both wow and push the envelope of good taste. I had to pass on the Parmigiano pudding, with piquillo pepper jam and cocoa nibs. As a former resident of Parma and a Parmigiano traditionalist, reducing the King of Cheeses to a chocolatey pudding was a bit outré. More successful was the pork bun, which stealthily contained bits of trotter, pork belly, soy and jalapeño, and the twenty four hour sous vide short ribs, rubbed with espresso grounds and accompanied with a teardrop of a crème fraîche béarnaise.
Service was informed, eager and enthused, and it was great to see Chef Falkner make the rounds to all the tables to greet and get first impressions from the diners. Orson’s charm and personal touch makes for a great evening out and a welcome addition to an emerging neighborhood.
